In the early stages of my career as a designer, back when I was still learning the basics by myself in my little student room, I thought being a real designer was all about drawing big sketches on A3 sheets. Back then I was spending hours adjusting my sketches (perspectives, styles, wheel ellypses...): it was so frustrating and frankly, demoralizing.

　　在早期階段，我的職業(yè)生涯作為一個設(shè)計師，當(dāng)我還在學(xué)習(xí)的基礎(chǔ)知識自己在我的小房間的學(xué)生，我想做一個真正的設(shè)計師都是畫素描3片大。當(dāng)時我正在花時間調(diào)整我的草圖(觀點(diǎn)，風(fēng)格，輪ellypses……)：它是如此令人沮喪的和坦率的，令人沮喪的。

　　Now I know I was wrong and here I would like to show you why, by giving you the proof that it's possible to play around with a 5cm wide square.

　　現(xiàn)在我知道我錯了，在這里我要告訴你為什么，給你證明它有可能玩一個5厘米寬的廣場。

　　I choose a side view of a motorcycle which immediately gave me a friendly feeling as I was drawing it with my black Faber Castell pencil. Usually I don't know what's going to "come out" when I start my sketches: the only thing that I have in mind is giving a strong personality to the final object. This time I imagined a bike in a strange, seemingly limitless room, that had two glass tubes showing bright plasmas of pure energy. Also, I didn't want to draw regular wheels so I imagined a rear wheel powered by the same energy, but in in its solid form this time. At the front, the wheel can display in its centre a hologram of the biker's ranking. The side line of the bike reminded me of some kind of reptile, snaking its way through the city streets, like the cyborg lizard you can see in the foreground!

　　我選擇一個側(cè)面一個摩托車，立刻給了我一個友好的感覺當(dāng)我畫我的黑色費(fèi)伯Castell鉛筆。通常我不知道怎么會”出來的“當(dāng)我開始我的素描：我唯一想到的是給人強(qiáng)烈的個性的最終目標(biāo)。這一次我想象的自行車在一個陌生的，似乎無限的房間，有兩個玻璃管顯示明亮的等離子體的純能量。還有，我不想畫定期輪我想象的后輪采用相同的能量，但在它的固體形式，這一次。在前面，車輪可以顯示在它的中央全息圖的車手的排名。側(cè)行自行車讓我想起了一些種爬行動物，蜿蜒穿過城市的街道，如電子蜥蜴，你可以看到在前臺!

　　In the end the bike is really furious and seems to be awaiting for a crazy driver to take it for a ride

　　在結(jié)束自行車真的憤怒，似乎是等待一個瘋狂的司機(jī)來騎